Video: Building the Barossa Wine Rack

I recently made a run of my Barossa Wine Racks and decided to document the construction with video. This gives a nice overview of both the woodworking and metalworking which are the basis for all of my pieces. Mix in a bit of concrete, and we have a three course meal suitable for filming.

The Barossa wine rack is a balance between sculpture and function. it elegantly holds twelve bottles of wine in sculptural opposition. Its concrete base counterbalances the wine allowing for a small footprint.

Barossa

Barossa detail 2

Barossa Wine Rack 3qtr

September Studio Sale!

My September Studio Sale is over. Thanks for making it a great success! This was the first time I have ever done a sale of this nature. To be the first to know about future events, please join my mailing list

Here is what I have currently available at the studio

In stock pieces:

Divergence-sold

Divergence– as pictured in dyed black Sapele

Zero

Zero– as Pictured in white lacquer.

Xenon

Xenon– as pictured in natural Sapele Mahogany 12″ x 12″ size.

Lithium

Lithium– in Dyed Black Sapele.

callisto-sold

Callisto– as pictured in Sapele Mahogany (SOLD)

PHD_8633s

Torus in dyed black Sapele

Galway buffet

Galway Buffet– as pictured in Maple.

Convergence

Convergence– as pictured in Sapele Mahogany

JupiterXL-sold

Jupiter (SOLD) and Jupiter XL (SOLD) as pictured in dyed black Sapele

Bespoke Funiture

My work was recently featured in the book Bespoke Furniture by E. Ashley Rooney. In Addition to the very nice two page spread on my furniture, I was thrilled to have my Infinity wine cabinet chosen as one of the cover pieces.

Scan 141

Scan 142

Scan 143

The text is my artist statement:

The style of my furniture grew out of a desire to build without traditional woodworking joinery. This began as a method of making furniture, but quickly became integral to the composition and design of my work. I use three materials: Wood, Metal, and Concrete. Each has characteristics that are specifically suited for different elements. The aesthetic nature of the elements long ago became more important than their convenience.

My designs break from traditional furniture forms. It is rare that I build a table with four legs. Decorative components made from stainless steel cables or rods are used as important visual elements. I find these elements give life to my pieces. Pure minimalism errs towards being boring. My work celebrates materials and maintains a pure feeling that is modern without being devoid of details.

It is important to me to create complete pieces. I strive for my furniture to entice the viewer from across the room and captivate them upon closer inspection. Designs must be bold and details crisp. This is a combination of design and craftsmanship. My furniture is openly constructed with exposed fasteners. The heads of stainless steel screws get polished and used as details. They are a view of exposed structure, yet not a complete vision. It is intended as a glimpse of what is inside, a celebration of the beauty of structure rather than a moment of too much information.